#Sleep no more backpack free

If they try to acknowledge you in any way, allow them to. Sometimes, characters will begin to notice you almost as if you are something that makes the hair on the back of their neck stand up. Let your voyeuristic little heart run wild. If you happen upon an empty room with a single character inside, there is no need to wait for them to invite you in. Level of Interaction – Who Are You?įor the most part, the characters in the show will not acknowledge you. Everyone will have a completely unique experience, and it is physically impossible to see the entire show in one night. If you’re going with a group, plan on splitting up and comparing notes later. The only limitation is that audience members are asked to stay silent. There is no right or wrong way to experience the show. Some participants choose to follow the same character for their entire hour-long loop, while others can enjoy getting lost in the lavish set, letting their discovery of the story elements happen more sporadically. If you stumble upon something you’ve seen before, it’s your choice: stay and watch the scene again from a different perspective and learn more information about the characters, or go uncover another story line.

#Sleep no more backpack free

Styled as a sandbox immersive, you have free reign to explore anywhere in the building, unless you come to a locked door or roped off area with a security guard. Basically, don’t plan on spending your evening in a seat somewhere, or in any one place for very long, for that matter. The interweaving of the characters’ tracks tells a larger story, one that could only be viewed by some omnipresent being.

Some characters are confined to a single floor while others traverse the entire building, with pathways entwining and diverging throughout. Each character has their own, unique hour-long track that unfolds in real time. In a nutshell, the actors mainly use dance to communicate. The story is primarily told through meticulously choreographed dynamic movement with almost no dialogue. Whichever ticket you buy, plan on arriving at the building at least half an hour before your time slot so that you can maximize your time. Often times there are two shows per night – start times ranging from 4pm for the early birds to 10:30pm for the night owls. You will have two more chances to watch the “beginning” of the show as it loops back around later in the evening. That being said, the show consists of three one-hour-long loops, so if the first entry time is sold out, don’t panic. If you decide to purchase a ticket to anything other than the earliest time slot, know that you will be missing out on the very beginning of the story. SLEEP NO MORE is an immersive adaptation of Macbeth with a run time of about three hours. I want to share it with others, and more importantly, I want to pass on the respect and gratitude that I feel toward the show. All of this is to say that I care deeply about this show. The memory of that very first visit led me to seek out the immersive theater community in L.A. Particular songs, smells, or even the décor in some hip speakeasy will immediately snap me back to 2011 and the first time that I experienced the show. One might even say my wedding had a subtle SLEEP NO MORE theme. I spent a summer working front of house on the show and sneaking into the space on my breaks. I’ve shelled out money that I didn’t really have in order to return to the McKittrick Hotel a dozen times since the show opened. Now, I don’t claim to be the end-all-be-all expert, but for the better part of a decade, this show has been a constant influence in my life. Still just as obsessed as ever, my friend had volunteered on the show by “fireproofing the apothecary,” a phrase that sounded completely ridiculous at the time, but is wholly impressive in retrospect. A few years later, in March of 2011, SLEEP NO MORE opened its doors in New York. I can only remember tiny details something about Shakespeare, something about the show being staged in an old elementary school, and something about… dancing? I didn’t get it. I had never seen someone talk about a show with such fervor. In 2007, a friend of mine at NYU told me about an immersive theater show that they had seen in Boston.